Chesapeake Music brings renowned musicians to delight, engage, and surprise today's audiences and educate, inspire, and develop tomorrow's.

Catherine Cho & Friends: Residency II

Saturday, March 13, 2027
7:30 p.m.

The Ebenezer Theater at Prager Family Center for the Arts
17 S Washington St, Easton, MD 21601

Catherine Cho & Friends is a trio of unique chamber residencies curated and led by Chesapeake Music Artistic Director Catherine Cho. Each residency features Catherine working and performing with different groups of outstanding young musicians, exploring and presenting programs that celebrate the richness and versatility of the chamber music repertoire. During each visit, these artists will deliver two days of community outreach & education events, followed by a culminating Saturday evening Interlude Series performance. These residencies offer audiences intimate and extraordinary musical experiences that showcase the artistry and versatility of a new generation of performers.

For Residency II, Catherine Cho (on violin) is joined by pianist Albert Cano Smit.

Additional residency and concluding performance details will be announced soon.

PROMOTIONS

  • Season Subscription || All 5 Interlude performances, save 20% off ticket price
  • “Residency Series” Package || Feb, Mar, and Apr Interlude performances, save 15% off ticket price
  • Free tickets || Students (+1 accompanying adult), Teachers, Talbot County First Responders
  • 2-for-1/BOGO || First-time Chesapeake Music ticket buyers (must use promo code new2for1)
 
General Admission: $50 (+$5 ticket fee)

Johann Sebastian Bach

Sonata for Violin and Piano in C minor (~ 15 mins)
  1. Siciliana: Largo
  2. Allegro
  3. Adagio
  4. Allegro
Ludwig van Beethoven
Beethoven Sonata for Piano and Violin in Eb major Op. 12 No. 3 (~ 20 mins)
  1. Allegro con spirito
  2. Adagio con molta espressione
  3. Rondo: Allegro molto

Intermission

(~ 15 mins)

Franz Schubert

Fantasy in C major for Violin and Piano (~ 35 mins)
  1. Andante molto
  2. Allegretto
  3. Tema e Variazioni — Andantino–Adagio
  4. Tempo
  5. Allegro vivace
  6. Allegretto
  7. Presto

Catherine Cho draws upon her experiences as a soloist, chamber musician, pedagogue, and artistic director to support and mentor artists in their quests to engage and enrich their high values as creative thinkers and communicators. She is devoted to fostering the next generation of performers, teachers, and leaders through the development of artistic excellence, curiosity, and clarity of vision through a holistic view of the artist.

She has appeared as a soloist with the Detroit, National, Edmonton, Montreal, National Arts Center, Barcelona, Haifa, New Zealand, Buenos Aires, KBS, Seoul, and Daejon orchestras, and has appeared in recitals and chamber music performances at the Kennedy Center, Ravinia, 92nd St. Y, Chamber Music Society of Lincoln Center, Casals Halls among others. She has appeared in 12 national tours with Musicians From Marlboro and participated in the festivals of Aspen, Chamber Music Northwest, Santa Fe, Four Seasons, Bridgehampton, and Vivace. She was a member of the Johannes String Quartet and La Fenice and was awarded the Avery Fisher Career Grant as well as top prizes in the Montreal (1987), Queen Elisabeth (1989), and Joachim (1991) Competitions.

Her work as a teacher in the Juilliard Chamber Music Community Engagement Seminar highlights her passion for community connection through art and communication. She is a Music For Food artist, artistic director of Chesapeake Music, director of the Summer Music School/Travel Residencies and violin faculty at the Perlman Music Program, and the artistic advisor for the Starling-DeLay Symposium at Juilliard.

Cho received her BM and MM degrees at Juilliard, where she studied with Dorothy Delay, Hyo Kang, and Felix Galimir. Her mentors include Ruggiero Ricci, Franco Gulli, and Michael Avsharian Jr.

Praised as “a moving young poet” (Le Devoir), Spanish-Dutch pianist Albert Cano Smit is building a rapidly growing international career on the orchestral, recital, and chamber music stages. Winner of the 2019 YCA Susan Wadsworth International Auditions, Cano Smit is renowned for his captivating performances, storytelling artistry, and nuanced musicality.

He has appeared as a soloist with the Las Vegas Philharmonic, San Diego Symphony, Seattle Symphony, Montréal Symphony, Rochester Philharmonic, Colorado Music Festival Orchestra, Elgin Symphony, Aiken Symphony, Chamber Orchestra of the Triangle, Orquesta Filarmónica de Boca del Río, Barcelona Symphony, Catalonia National Orchestra, Manchester Camerata, Nottingham Youth Orchestra, and the American Youth Symphony, with upcoming performances with the Colorado Symphony and Virginia Symphony. His collaborations have included work with
conductors such as Andrew Grams, Katharina Wincor, Pablo Rus Broseta, Ryan Bancroft, and Stephanie Childress.

Recital highlights include his Carnegie Hall debut presented by The Naumburg Foundation, his Merkin Hall debut presented by Young Concert Artists, and appearances at San Francisco’s Herbst Theatre, Paris’ Fondation Louis Vuitton (streamed live globally), the Kennedy Center’s Terrace Theater in Washington, D.C., Germany’s Rheingau Music Festival, Barcelona’s Palau de la Música Catalana Auditorium, Madrid’s Auditorio Nacional de Música (Sala de Cámara), and return engagements with the Steinway Society in San Jose and the Miami International Piano Festival. He has also been presented by Festival Bach Montréal, the Cosmos Club in Washington, D.C., University of Florida Performing Arts, the Krannert Center in Urbana, and Matinée Musicale in Cincinnati. In addition, he has held a seven-year residency at France’s Festival de Musique de Wissembourg, served as a piano fellow at the Bravo! Vail Music Festival and Tippet Rise Art Center, and made his recital debut in Asia at Xiamen’s Banlam Grand Theater.

A devoted chamber musician, Cano Smit performs regularly with flutist Anthony Trionfo and has partnered with violinists Paul Huang and William Hagen, with whom he recorded the album Danse Russe. His recordings also include an album of Austrian viola music with Emma Wernig for Champs Hill Records. He has performed four-hand repertoire with Jean-Yves Thibaudet at the Wallis Annenberg Center and Zipper Hall, appeared with the Jupiter Chamber Players
in New York and the Bridgehampton Chamber Festival, and collaborated with distinguished artists including Gary Hoffman, Andrej Bielow, Thomas Mesa, and Lev Sivkov. His ensemble work includes performances with leading string quartets such as the Ebene, Szymanowski, Casals, Cosmos, Gerhard, Verona, and Viano Quartets. Upcoming chamber engagements include a performance for Manchester Friends of Music.

Cano Smit made his debut solo recording of J.S. Bach’s Art of the Fugue on the French label Aparté. Released in March 2025, the album received critical acclaim, earning the top rating of five Diapasons from Diapason magazine.

An advocate for new music, he has premiered numerous solo works written for him by Stephen Hough, Miquel Oliu, and Katherine Balch. In addition to his YCA triumph, he won First Prize at the 2017 Walter W. Naumburg Piano Competition and received several special prizes at the 2019 YCA Auditions, including the Paul A. Fish Memorial Prize, the Alexander Kasza-Kasser Concert Prize supporting his Kennedy Center debut, the Friends of Music Concert Prize (NY), and the Sunday Musicale Prize (NJ).

Born in Geneva, Switzerland, Cano Smit began his musical training at Montserrat mountain’s Escolanía de Montserrat choir, where he sang as an alto, before pursuing piano studies with Graham Caskie, Marta Karbownicka, and Ory Shihor. He is an alum of the Verbier Festival Academy and holds a BA in Piano Performance from the Colburn School and an MM from The Juilliard School, where he studied with Robert McDonald. At Juilliard, he received the 2020 Rubinstein Prize for Piano and recently completed an Artist Diploma. He currently resides in New York City.

Please make note of the following additional information:

  • All programs, artists, and events may be subject to change.
  • Cell phones and other electronic devices should be switched off prior to (and for the duration of) the performance.
  • Photography and/or recording during the performance is strictly prohibited.
  • Performances may be recorded and/or photographed by Chesapeake Music, and your attendance is considered consent to be photographed/recorded.
  • Patrons who arrive after the start of the concert will be seated between movements or pieces at the discretion of the ushers.
  • Outside food and drink is not permitted in the hall.
  • Complimentary water will be available to all patrons before the concert and during intermission.
  • Contact information for any questions and concerns: info@chesapeakemusic.org

For questions, additional information, seating requests, or require special accommodations, please contact us at info@chesapeakemusic.org or 410-819-0380. We’re happy to assist and look forward to hearing from you!

Seating is general admission and unreserved, so guests are welcome to choose any available seat when they arrive. A small number of seats may be reserved for sponsors and those hosting our artists.

The Ebenezer Theater at Prager Family Center for the Arts seats approximately 160 visitors — 115 on the main floor level and 45 in the balcony. There is elevator access from the street-level lobby up to the main seating area. The balcony is accessible by stairs only. 

If there are further questions or concerns regarding mobility and accessibility at the venue, please do not hesitate to reach out to info@chesapeakemusic.org.

All purchases are completed digitally, with tickets also being sent digitally to your email. Please double-check your spam/junk folder for your tickets. We do not mail physical tickets. If you misplace your digital tickets by email, please contact info@chesapeakemusic.org and we can resend them to you. If you are unable to present a copy of your digital ticket when arriving at the venue, our ushers will have a full ticket purchase list and can manually admit you.

Chesapeake Music is typically unable to offer refunds or cancellations, but we invite you to get in touch with us at info@chesapeakemusic.com if an emergency arises and you can no longer use your ticket(s).

Doors open at 6:45 p.m. and the concert is expected to last approximately 1hr45mins, inclusive of a short intermission.

The Ebenezer Theater has a free parking lot, and free street parking is available throughout downtown Easton. 

There’s no dress code at our concerts. Whether you prefer to dress up or keep it casual, we want you to be comfortable and enjoy the music.